…the act of entering a new land is like stepping onto a tightrope of the imagination, in which neither past nor present has been deleted – because good imaginations pay their respects wherever it needs to be paid. These poems, it seems to me, walk such a tightrope. On the one hand, there are the memories of Singapore, of family – and on the other, poems of the new life – of preparing food with friends, of Europe and of love.
Martin Langford

“A poem is a heavy thing.” Displacement, attachment, sweat, warmth and food, communion, aloneness, disquiet and longing – these poems coax shadows out of dark recesses, “layered like memory, like grief.” Their strength lies not in their settings but in their familiarity with the human spirit, “at our true selves, so far, yet so close to home.”
Rhyll McMaster

The colours, scents, tastes and textures of the variousness of generations are woven seamlessly into these poems.  Eileen Chong creates compelling narratives that offer insights into love and loss, tradition and compassion. Her true gift is the ability to define, through memory and imagination, an almost tactile sense of place.
Anthony Lawrence

The poems in Burning Rice pull you in with their sumptuous images and seductive memories. Eileen Chong’s poetry is a gift of the interconnection of past and present, the personal and the communal.   She has an astute ability to let objects and events assume emblematic implication, and she can incite the imagination through her remarkable ability to find the ore seams in everyday experience.
Judith Beveridge
Prime Minister’s Award citation

At the heart of Burning Rice are delicately and meticulously crafted meditations on the complex web of attachments, loss and longing, so rich with imagery and narrative that they transcend the poet’s own ethnic, cultural and regional background. Here are portraits and stories rendered with snapshot clarity and compression, revealing a hard-won integration of heart, mind and soul.
Kim Cheng Boey
Mascara Literary Review 2012

In Peony, with even more impressive artistry than in her debut collection, Burning Rice, Eileen Chong conjures into words her finely detailed pictures of memory. With tact and precision and an eloquent simplicity of speech she leads us into these distilled meditations as into the presence of actual people and places. The images rest like sunlight in a pool of clear water.
Stephen Edgar

Peony is a book of many strengths — vivid images, supple lines, and a lyrical control of thought and feeling. I find myself marvelling at Chong’s love poems — their seriousness, their alchemy and their truth. She is a poet who crosses cultures, from making rice dumplings to John Muir’s awe for the natural world. Eileen Chong is also a poet of the modern city, capturing the irresistible attractions of urban life. Enjoy this astute and intimate poetry.
ndy Kissane


An interview with Tom Simpson at American Microreviews and Interviews



Eileen Chong Reads Wang Wei Eileen Chong 'Visitor'


Eileen Chong was born in Singapore of Chinese descent. She took a Master of Letters at the University of Sydney and was a recipient of an Australian Postgraduate Award for a Doctorate
in Creative Arts at Western Sydney University. Individual poems of hers have shortlisted for the Newcastle Poetry Prize, shortlisted twice for the Peter Porter Poetry Prize, and longlisted three times for the University of Canberra’s Vice-Chancellor’s Prize. Her books have shortlisted for the
Anne Elder Award, the Australian Arts in Asia Award, the Victorian Premier’s Literary Award, and twice for the Prime Minister’s Literary Award.

She lives and works in Sydney, Australia.